by
Walter Brasch
(Part 2 of 2)
For more than a
decade, advertising, circulation, and news quality in both print and electronic
media have been in a downward spiral. That spiral has twin intertwining roots.
The first root is
the rise of social media. The complacent and stodgy print media were slow to
catch onto the concept and rise of social media and its influence upon a
generation that conducts its life by a fusion of smart phones to ears. When
owners figured out they needed to have a digital presence, they first gave away
content in a desperate bid to keep readers, and then began to charge for it to
those who didn’t have subscriptions.
Like their TV cousins—CNN, FoxNews, and MSNBC—newspapers became 24/7 operations, with reporters now expected not only to find the stories, do the research, report, and write stories for one edition a day, but also to rewrite and update their stories for the newspaper’s website. It wasn’t long until editors had print reporters take small portable cameras and their cell phones into the field to also transmit visual stories to the newspaper’s copy desk. The result is a diminished quality as reporters now have more work to do in a time frame that keeps increasing, but are working with the same salaries and benefits.
Like their TV cousins—CNN, FoxNews, and MSNBC—newspapers became 24/7 operations, with reporters now expected not only to find the stories, do the research, report, and write stories for one edition a day, but also to rewrite and update their stories for the newspaper’s website. It wasn’t long until editors had print reporters take small portable cameras and their cell phones into the field to also transmit visual stories to the newspaper’s copy desk. The result is a diminished quality as reporters now have more work to do in a time frame that keeps increasing, but are working with the same salaries and benefits.
The second root
is the Great Recession, which began about December 2007 during the last year of
the Bush–Cheney administration when the bubble manipulated by financial
institutions, with minimal governmental oversight, finally burst. The recession
ended about June 2009, six months into the Obama administration.
For years,
media owners had been wallowing in 10–30 percent annual profits, near the top
of all industries, didn’t put their income into improving their properties and
their news operations, but took the money and increased shareholder returns,
thus keeping their own jobs.
With the Great
Recession, business cut back on advertising. This led to fewer news pages and
then to narrower page sizes as publishers began to cut expenses. The Great
Recession also led to readers with less disposable income cancelling their
subscriptions. The business model for newspapers is that higher circulation
means higher rates for advertising; conversely, lower circulation means
publishers charge less per column inch for advertising, leading to less profit.
In most newspapers, advertising accounts for about 70–80 percent of revenue.
When profits continued
to shrink, owners and their financial staff and analysts, few of whom ever had
to chase a story, cut back staff, froze salaries and benefits.
Cutting back staff
means that whoever is left not only has to transmit video from the field and
rewrite stories for the paper’s website, they are now forced to increase their
own productivity to cover stories that the laid-off reporters once covered, and
not cover certain stories that should have been covered. Over time, this has led
to a decrease in the quality of both reporting and writing, and a decrease in
investigative and in-depth reporting, which takes both time and resources.
At one time,
newspapers had proofreaders, whose job was to make sure news stories had no
spelling and grammar errors. But, to increase profits, publishers eliminated
proofreaders, giving their work to the copy desk. Copyeditors check reporters’
stories for accuracy, often asking reporters to fill holes in their stories or
to verify certain facts. Copyeditors also tighten stories, moving sentences and
paragraphs to improve readability, flow, and to assure that the most important
information isn’t buried somewhere in the middle of the story. Copyeditors also
delete unnecessary verbiage and news source quotes that don’t add anything to
the story. They write the headlines, format reporters’ copy and place it onto
the page. Copyeditors, along with city editors and managing editors, also
decide what stories should get larger headlines and what pages they should go
onto to give readers a roadmap of importance.
As publishers
began laying off copyeditors, the finesse of the copydesk has been replaced by
“Shovel Editing”—take a shovel and throw what you have onto the page.
With fewer
staff, owners decided that filling what is left of the diminishing news hole,
caused by less advertising, is more economical if they use syndicated
material—perhaps a feature from several states away now dumped onto a local
page but with no local angle, packaged entertainment news that spills the
salacious news about some celebrity’s forthcoming divorce, or more press
releases, which are barely edited or verified because copyeditors are already
overworked. Some newspapers have filled their pages with bloated stories about
misdemeanors, largely handed to them by police departments and by larger photos
of car crashes and check-passing ceremonies that take up space that once would
have been used for news stories.
As newspapers
began their descent, circulation decreased—partially because other online
sources became more prevalent, largely because newspaper content had become
soft. Many local newspapers, under the direction of editors willing to stand up
for journalistic credibility, have maintained an excellent news operation. But
overall, during the past decade, Americans turned to a comedy cable channel,
tuned in Jon Stewart and Stephen Colbert for 44 minutes of truth four times a
week, and tuned out ink on newsprint.
The economy has
rebounded; unemployment is down to 5 percent. The average wage for a
newly-minted liberal arts graduate is about $41,000, according to the National Association of Colleges and Employers. For a new
reporter, it’s about $10,000–$15,000 a year lower, according to a study from
the University of Georgia. More important, some of the better graduates of
journalism programs are planning for careers in PR, advertising, and other
non-news fields.
Profits should
be rising for newspaper groups. But, owners still give no or just minimal
raises to their editorial staff, and they haven’t replaced the jobs lost during
the past decade.
The soul of a
newspaper is its newsroom, something many owners say but never believe. While
downsizing the news rooms, owners’ actions have caused a further downsizing in
media credibility and have directly led to a downward spiral in the viability
of both print and broadcast media.
The solution to
stopping the decline is to restore jobs to the newsroom, hire the best
reporter–writers and editors, ones who have a broad knowledge of culture and
society, pay them decent wages, give them better benefits, give them time to
develop, report, and then write in-depth stories. While doing this, owners need
to disregard financial experts who throw useless verbiage and skewed statistics
that focus solely upon the “bottom line” and how to “maximize profits. They
need to stop hiring $500 an hour media consultants, more adept at massaging
statistics than in reporting social issues, who claim readers want shorter news
stories, shorter columns, flashy graphics, and prefer crime and entertainment
stories.
When a solid
news product re-emerges, the readers will return. When the circulation
increases, so will the advertisers and the revenue.
[In a four-decade career in journalism, Dr.
Brasch has been a newspaper and magazine reporter and editor, multi-media
writer-producer, television writer, and professor of mass communications. He is
the author of 20 books, most of which fuse history and contemporary social
issues; his most recent book is Fracking
Pennsylvania. He is also the recipient of more than 200 journalism awards
for excellence, including multiple awards from the Society of Professional
Journalists, National Society of Newspaper Columnists, National Federation of
Press Women, Press Club of Southern California, AP, and the Pennsylvania Press
Club.]
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